Read the poems below. To get KCSE questions and answers for free for the poems click the link (Icon) below
THAT OTHER LIFE
(By Everett M
Standa)
I
have only faint memories
Memories
of those days when all our joyful moment
In
happiness, sorrow and dreams
Were
so synchronized
That
we were in spirit and flesh
One
soul;
I
have only faint memories
When
we saw each other’s image everywhere;
The
friends, the relatives,
The
gift of flowers, clothes and treats,
The
evening walks where we praised each other,
Like little children in love;
I
remember the dreams about children
The
friendly neighbors and relatives
The
money, the farms and cows
All
were the pleasures ahead in mind
Wishing
for the day of final union
When
the dreams will come true
On
that day final union
We
promised each other pleasures and care
And
everything good under the sun
As a
daily reminder that you and me were one forever.
My
grandmother
by
Elizabeth Jennings
She kept an antique
shop-or it kept her.
Among Apostle spoons
and Bristol glasses,
The faded silks, the
heavy furniture,
She watched her own
reflection in the brass
Salvers and silver
bowls, as if to prove
Polish was all, there
was no need for love.
And I remember how I
once refused
To go out with her,
since I was afraid.
It was perhaps a wish
not to be used
Like antique objects
.Though she never said
That she was hurt, I
still could feel the guilt
Of that refusal,
guessing how she felt.
Later, too frail to
keep a shop, she put
All her best things
in one long, narrow room.
The place smelt old,
of things too long kept shut,
The smell of absences
where shadows come
That can’t be
polished. There was nothing then
To give her own
reflection back again.
And when she died I
felt no grief at all,
Only the guilt of
what I once refused.
I walked into her
room among the tall
Sideboards and
cupboards-things she never used
But needed: and no
finger-marks were there,
Only the new dust
falling through the air.
Riding Chinese Machines
By Liyou Mesfin Libsekal
There are beasts in this city
they creak and they crank
and groan from first dawn
when their African-tongued masters wake
to guide them lax and human-handed
through the late rush
when they‘re handled down and un-animated
still as we sleep, towering or bowing
always heavy
they creak and they crank
and groan from first dawn
when their African-tongued masters wake
to guide them lax and human-handed
through the late rush
when they‘re handled down and un-animated
still as we sleep, towering or bowing
always heavy
We pour cement through the cities
towns, through the wild
onwards, outwards
like fingers of eager hands
stretched across the earth
dug in
towns, through the wild
onwards, outwards
like fingers of eager hands
stretched across the earth
dug in
The lions investigate
and buried marvel rumbles
squeezed for progress
and buried marvel rumbles
squeezed for progress
“Sympathy”
I know what the
caged bird feels, alas!
When the sun is
bright on the upland slopes;
When the wind
stirs soft through the springing grass
And the river
flows like a stream of grass;
When the first
bird sings and the first bud opes,
And the faint
perfume from its petals steals –
I know what the
caged bird feels!
I know why the
caged bird beats its wing
Till its blood is
red on the cruel bars;
For he must fly
back to his perch and cling
When he rather
would be on the branch a –swing;
And a pain still
throbs in the old, old scars
And they pulse
again with a keener sting –
I know why he
beats his wing!
I know why the
caged bird sings, ah me,
When his wing is
bruised and his bosom sore,
When he beats his
bars and would be free;
It is not a song
of joy or glee,
But a prayer that
he sends from his heart’s deep core,
But a plea, that
upward to heaven he fings –
I know why the
caged bird sings!
(Adapted
from the poem by Laurence Donbar in ‘American Negro Poetry’ edited by
ArnaBomtemps. New York: Hill and Waug 1974)
|
“FAMINE”
The owner of yam peels his yam in
the house’s:
A
neighbour knocks at the door
The
owner of yam throws his yam in the bedroom:
The
neighbour says, “I just heard
A
sound, ‘kerekere’, that is why I came,”
The
owner of the yam replies,
“That
was nothing, I was sharpening two knives.”
The
neighbour says again, “I still heard
Something
like ‘bi’ sound behind the door.”
The
owner of the yam says,
“I
merely tried my door with a mallet.”
The
neighbour says again,
“What
about his huge fie burning on your hearth?”
The
fellow replies,
“I
am merely warming water for my bath.”
The
neighbour persist,
“Why
is your skin all white, when this is not the Harmattan season?’
The
fellow is ready with his reply,
I
was rolling on the floor when I heard the death of Agadapidi.”
Then
the neighbour says, “Peace be with you.”
The
owner of the yam start shut,
“There
cannot be peace
Unless
the owner of food is allowed to eat his own food!”
Building the Nation
Henry Barlow
Today I did my share
In building the nation
I drove a permanent Secretary
To an important urgent function
In fact a luncheon at the Vic.
The menu reflected its importance
Cold Bell beer with small talk,
Then friend chicken with niceties
Wine to fill the hollowness of the laughs
Ice-cream to cover the stereotype jokes
Coffee to keep the PS awake on return
journey.
I drove the Permanent Sectretary back.
He yawned many times in the back of the
car
Did you have any lunch friend?
I replied looking straight ahead
And secretly smiling at his belated
concern
That i
had not, but was smiling!
Upon which he said with a seriousness
That amused more than annoyed me,
Mwananchi, I too had none!
I attended to matters of state
Highly delicate diplomatic duties you
know,
And friend, it goes against my grain,
Causes me stomach ulcers and wind.
Ah, he continued, yawning again,
The pains we suffer in buiding the nation!
So the PS had ulcers too!
My ulcers I think are equally painful
Only they are caused by hunger,
Not sumptuous lunches!
So two nation builders
Arrived home this evening
With terrible stomach pains
The result of building the nation -
- Different ways.
Read the oral piece below and answer the
questions that follow
Blood iron and trumpets
Blood iron and trumpets
Forward we march
(others fall on the way)
Blood iron and trumpets
We shall hack kill and cure
Blood iron and trumpets
Singers of the datsun blue
Forward we drive breaking the records
Blood iron and trumpets
Let bullets find their targets and the
earth be softened
Blood iron and trumpets
Let the dogs of war rejoice
And the carrion birds feed
We are reducing population sexplosion
Blood iron and trumpets
The uniformed machines are around
Put on your helmet iron and rest
Blood iron and trumpets
Only through fire can be baptized to
mean business
So once again
Blood iron and trumpets
We shall always march along
Blood iron and trumpets
Blood iron and trumpets
Blood alone
SECOND OLYMPUS
From the rostrum
they declaimed
On
martyrs and men of high ideals
Whom they
sent out
Benevorent
despots to an unwilling race
Straining
at the yoke
Bull
dozers trampling on virgin ground
In
blatant violation
They
trampled down all that was strange
And
filled the void
With half
digested alien thoughts
They left
a trail of red
Whatever
their feet had passed
Oh, they
did themselves fine
And
struttled about the place
Self
proclaimed demi- gods
From a
counterfeit Olympus
One day
they hurled down thunder bolts
On
toiling race of earthworms
They
might have rained own pebbles
To pelt
the brats to death
But that
was beneath them
They kept
up the illusion
That they
were fighting foes
Killing
in the name of high ideals
At the
inquest they told the world
The worms
were becoming pests
Moreover,
they said
They did
not like wriggly things
Strange
prejudice for gods.
Advise to my son
(Peter Meinke)
The trick is, to live your days
as if each one may be your last
(for they go fast, and young men
lose their lives
in strange and unimaginable ways)
but at the same time, plan long
range
(for they go slow : if you
survive
the shattered windshield and
burning shell
you will arrive
at our approximation here below
or heaven or hell)
To be specific, between the poeny
and the rose
plant squash and spinach, turnips
and tomatoes;
beauty in nectar
and nectar, in desert saves
but the stomach craves stronger
sustenance
than the homed vine.
therefore, marry a pretty girl
after seeing her mother;
speak truth to one man,
work with another;
and always, serve bread with your
wine.
But son,
Always serve wine
THE
VILLAGE WELL.
By Henry
Barlow
By this well,
Where fresh waters still quietly whisper
As when I
First accompanied Mother and filled my
baby gourd,
By this well, 5
Where many an evening its clean water
cleaned me;
The silent Well
Dreaded haunt of the long haired Musambwa,
Who basked,
In the mid-day sun reclining on the rock
Where I now sit 10
Welling up with many poignant memories.
This spot,
Which was rung with the purity of a child
laughter;
This spot,
Where eye spoke secretly to responding
eye;
This spot,
Where hearts pounded madly in many a
breast;
By this well,
Over-hung by leafy branches of sheltering
trees
I first noticed her. 20
I saw her in the cool of a red , red
evening.
I saw her
As if I had not seen her in a thousand
times before.
By this well 25
My eyes asked for love, and my heart went
mad.
I stuttered
And
murmured my first words of love
And cupped,
With my hands, the intoxication that were
her breasts 30
In this well
In the clear waters of this whispering
well,
The silent moon
Witnessed with a smile our inviolate vows,
The kisses 35
That left us weak and breathless
It is dark
It is dark by the well that still whispers
It is darker.
It is utter darkness in the heart that
bleeds 40
By this well.
Where magic has evaporated but memories
linger.
Of damp death
The rotting foliage reeks
And branches
Are grotesque talons of hungry vultures? 45
For she is dead
The one I first loved by this well.
THE NECKLACE
From
a distance I watched,
Fearful
of inching any further,
A
cold sweat trickled rivulets,
Making
me shiver at noon.
Undaring
to approach the form.
It
was over in minutes,
The
necessities of execution availed,
The
firestone tyre,
Petrol
in blackened tin,
And
ignites in numerous hands
Each
participant ready and anxious,
To
set the man a flame.
As
the smouldering form blackened,
Smell
of sizzling flesh filling in the air,
Piercing
the nostrils,
And
choking me breathless,
I
watched in wonder,
Witness
to an unwritten law.
As
the crowd dispersed,
The
haggling and bargaining resumed,
Buying,
selling and cheating,
As
men in uniform arrived,
Bering
away the charred remains.
CIVIL
WAR
(David
Mugwika)
In this land
Graveyards have no markers
For blood flows freely
Into the gutter
Where corpses abide
In restless sleep
In this land
Kinship is long dead
And the insiders prevail
A neighbours hand
In darkness hidden
Stripes yet another victim’s light
In this land
The wind blows across the neglected fields
Promising yet another spectacle
Of hollowed eyes and pinched skins
Trudging and falling to the unyielding
trains
Of self-destruction
In the air
The whiter dove
Flutter with change
And perhaps
It would be better if this symbol of peace
Were established in the souls of the
people
In this land
POETRY
Two ample women, somewhat past their
primes
(the man between lost in his Daily Times)
Discuss their friends for all the world to
hear
Some seats away a gallant says,”My dear”
to a strange girl who glares at
him.Uncowed
he prattles on, oblivious of the crowd
On every side there’s animated talk
On the state, on love-down to the price of
pork
Some stare through windows, hating all the
noise,
Stern faced, like masters angry with their
boys
The fop uneasy with the tramp beside
Fidgets and sighs and shifts from side to
side
A bus stop now
Sighs and farewells, legs and baskets
Jostle in greatest confusion
The queen without stampedes and rushes
to increase the babel within
“Way please! ”get in!”Abi na Wetin”
“Ouch you’ve hurt my toe!”
Time up! The conductor presses “Go”
The hubbub continues. “What does he care?”
The more the noisier, but the richer the
fare!
I build walls
I
build walls
Walls that protect,
Walls that shield,
Walls, that say I shall not yield
Or reveal
Who I am and how I feel.
I build walls
Walls that hide,
Walls that cover what is inside,
Walls that stare or smile or look away,
Silent lies
Walls that even block my eyes
From the tears I might have cried.
I build walls.
Walls that never let me
Truly touch
Those that I love so very much.
Walls meant to be fortresses
Are prisons
after all.
THE SMILING ORPHAN
By
Grace Birabwa Isharaza
And when she passed away,
They came,
They came,
Kinsmen came,
Friends came.
Everybody came to mourn her.
Hospitalized for five months
The Ward was her world
Fellow patients her compatriots
The Ward was her world
Fellow patients her compatriots
The meagre hospital
supply-her diet
When she was dying
Her son was on Official Duty
The State demanded his Services.
Her only daughter, uneducated,
Sat by her
The State demanded his Services.
Her only daughter, uneducated,
Sat by her
Crying, praying, waiting for
an answer
From God far above
From God far above
Wishing, she spoke the
language
Figures in white-coats do understand.
They matched, the figures did
Figures in white-coats do understand.
They matched, the figures did
Stiff, numb and deaf, to the
cries and wishes
Of her dying mother.
Of her dying mother.
As she was dying
Friends and kinsmen TALKED of
her
How good, how helpful: a very
practical woman.
None reached her: they were
too busy, there was no money,
Who would look after their homes?
Who would look after their homes?
Was it so crucial their presence?
But when she passed away,
they came,
Kinsmen came, friends hired cars to come,
Neighbours gathered to mourn her,
Kinsmen came, friends hired cars to come,
Neighbours gathered to mourn her,
They ought to be there for
the funeral
So they swore.
The mourners shrieked out
cries
As they arrived in the busy
compound of the dead.
Memories of loved ones no more
Memories of loved ones no more
Stimulated tears of many.
They cried dutiful tears for
the deceased
Now stretching their hands all over to help.
The daughter looked at them
Now stretching their hands all over to help.
The daughter looked at them
With dry eyes, quiet, blank.
The mourners pinched each
other
Shocked by the stone-heartedness
Of the orphaned.
Shocked by the stone-heartedness
Of the orphaned.
She sat: watching the tears
soak their garments
Or in the soil around them; wasted.
Or in the soil around them; wasted.
That night, she went to her
love,
In the freshly made emergency
grass hut,
And let loose all ties of the Conventional Dress she wore
Submitting to the Great Power, she whispered:
'Now .....
You and I must know Now ....
Tomorrow you might never understand
Tomorrow you might never understand
Unable
to lick my tears ·
And there was light
In the darkness of the hut
While outside
While outside
The mourners cried
Louder than the Orphan.
Louder than the Orphan.
Public
Butchery.
Jagjit
Singh
Some
people fear death,
others
must face it before a crowd
specially
invited
to
witness the ceremony to their last breath
Coups
have succeeded elsewhere
and
heads have rolled,
and
blood has flown,
quite
indiscriminately
But
oh! Condemned conspirators,
your
fate is martyred while you watch,
heads
and hearts held high,
dead
defiance lurking still
in
eyeballs bathed in sweat.
as
the judge performs the abortion
for
your baby hatched in haste,
before
the mother was fully pregnant.
Once
you were greeted
and
treated
as
VIPs.
Now
there is a blank silence
as
a crowd watches
four
hooded ministers
hanging
in the air
Reference
2015 KCSE MOCK PAPERS
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